Tuesday, November 20, 2007

The Kills: Announce New Single


'U.R.A Fever' to be released in January.

The Kills are set to release new single 'U.R.A Fever' on January 7.

It is their first release since their 2005 album 'No Wow', and will be released on a one-sided seven-inch vinyl with etchings on the b-side.

The track is taken from their new album, which is expected in March 2008.

No title has been announced.
Source: nme.com

Bob Dylan Joins Jack White In Hank Williams Tribute


The White Stripes rocker Jack White has teamed up with American singer-songwriter, author, musician, poet and, of late, disc jockey Bob Dylan to complete a series of as yet "unfinished" Hank Williams songs.

The lead vocalist of the rock duo star is one of a selection of musicians asked by Dylan to work on completing the "lost" songs - some of the final tunes and lyrics written by the late legend.

White recorded the unfinished Williams song You Know That I Know at Blackbird Studios in Nashville, Tennessee with engineer Joe Chiccarelli. Dominic Suchtya, the bassist who guested on the White tracks, says, "Dylan had contacted him (White) to see if he'd like to finish some of these tunes.

"No one has heard it as it was a Hank Williams lyric sheet that Jack put to music and edited a bit. Jack was sent most of or all of the unfinished tunes and picked this one to finish.
Source: music_news.com

Monday, November 19, 2007

Tapes N Tapes: Complete New Album


Minneapolis four-piece Tapes 'N Tapes have completed work on their new record.

The sessions, with The Flaming Lips and Sleater-Kinney producer Dave Fridmann at the helm, have yielded 15 tracks. Guitarist Josh Grier suggests the material bears less of Fridmann's trademark hugeness than the producer's credit might suggest.

"It was nice to be able to work with someone who has a real studio," Grier told Billboard. "Having a budget was awesome, but there weren't any over-indulgences. There's no orchestral arrangements or anything."
In a separate interview with the Twin Cities Pioneer Press, however, Grier does concede that a few Fridmann-esque moments have crept into the songs.

He admitted: "There's a few random sounds in there - Dave has a lot of toys in his studio. But we tried not to be too self-indulgent. There are no Freddie Mercury arrangements."

The new record is not yet titled, and no specific date for its release has been revealed beyond a target of "late spring".

Though the band expects to tour behind the new material, as yet Tapes 'N Tapes's only scheduled date is November 30 in Minneapolis.
Source: nme.com

Thursday, November 15, 2007

My Bloody Valentine: To Play First Shows In 16 Years


Indie legends My Bloody Valentine have announced details of their first live dates since 1992.

The band, who have not released an album since 1991's 'Loveless', will play three shows in summer 2008.

They will play:

London Roundhouse (June 20)
Manchester Apollo (28)
Glasgow Barrowland (July 2)
Source: nme.com

The 12 Essential Gram Parsons Songs


1. She
2. Hot Burrito #1
3. A Song For You
4. Return Of The Grievous Angel
5. $1000 Wedding
6. In My Hour Of Darkness
7. Hickory Wind
8. Love Hurts
9. Dark End Of The Street
10. Do You Know How It Feels To Be Lonesome
11. Hot Burrito #2
12. Christine's Tune (Devil in Disguise)

Wednesday, November 7, 2007

Brian Jonestown Massacre: Infinite Wisdom Tooth

Will Devendra Banhart be allowed to go mainstream?


As his latest album shows, the singer/songwriter wants to break free from the lo-fi freak-folk underground. Will his public let him?

I've been listening to Devendra Banhart's new album Smokey Rolls Down Thunder Canyon, an enjoyable listen and yet it had left a lot of reviewers in a quandary. The album has a cinematic musical scope but it seems to be that its author is to be forever associated with his media tag of freak folkster - all beards, beads and bellbottoms, a tag that easily forgets Banhart's talent.

And however, as of late, his life has been more Hollywood than Haight Ashbury; being interviewed by Lindsay Lohan, hanging out with Beck, opening up Karl Lagerfeld's fashion shows, singing with Gael GarcĂ­a Bernal and switching his management to Neil Young's main man, Elliott Roberts. Smokey Rolls Down Thunder Canyon moves his mythology on further. It was recorded in Topanga Canyon, land of Woody Guthrie, Neil Young and Charles Manson; home to canyon rock and the cocaine cowboy.

An inveterate self-mythologiser, Devendra Banhart has a back-story that would make Dylan proud. Born in Texas, he was given the name Devendra by an Indian Guru mystic, went to live with his mother in Venezuela, was briefly brought up in the Divine Light Mission cult and ended up in San Francisco. The release of his first two albums, The Black Babies and Oh Me Oh My ... on Michael Gira's Young Gods label gave him underground buzz but it was the near-simultaneous release of Nino Rojo and Rejoicing in the Hands that significantly raised his profile. Those albums referenced the child-like nursery rhymes of Syd Barrett, the otherworldly voice of hippie-era Marc Bolan, and the tropicalia rhythms of Caetano Veloso; he was also responsible for bringing folk legend Vashti Bunyan back to life. And that same year he compiled the zeitgeist-capturing Golden Apples of the Sun, which featured Joanna Newsom and Antony and the Johnsons and made him, wittingly or unwittingly, the figurehead of the so-called freak folk movement.

His next release, Cripple Crow, was the first metamorphosis from hippie child to manchild. Boasting 22 songs, it was more akin to the White Album than previous efforts and contained varying influences of reggae, tropicalia, acid-rock and yes, folk-rock. By using Bearsville Studio - owned by the Band - and the recorded home to some of Banhart's heroes, Karen Dalton and Bobby Charles, it demonstrated that Banhart wanted to make his way out of the four-track lo-fi folk ghetto and make a statement. The results polarised people.

The same polarisation seems to have happened with Smokey Rolls Down Thunder Canyon. The influences are expansive: samba, Os Mutantes, the Doors, psychedelic soul, CSNY and reggae. Its eclectic and wilfully obtuse vibe is very reminiscent of the infamous canyon rock superstar David Crosby's work and demonstrates Banhart's willingness to grow from the underground to the city light of the mainstream. Will everyone allow him to do it? Or will Banhart's epitaph be, in the words of Morrissey: "I thought that if you had/An acoustic guitar/Then it meant that you were/A Protest Singer/Oh, I can smile about it now/But at the time it was terrible." Time will tell but I'm eager for the next act already
Source: Gaurdian Unlimited

NME: The 2007 "Cool List"


The list is:
24 Meg White, The White Stripes
23 Albert Hammond Jr, The Strokes
22 Eugene Hutz, Gogol Bordello
21 Serge Pizzorno, Kasabian
20 Jamie Frost, The Automatic
19 Jack White, The White Stripes/The Raconteurs
18 Carl Barat, Dirty Pretty Things
17 Ryan Ross, Panic! At The Disco
16 Cee-Lo, Gnarls Barkley
15 Tahita Bulmer, New Young Pony Club
14 The House Of Lords, The Young Knives
13 Jamie Reynolds, Klaxons
12 Liam Gallagher, Oasis
11 Paul Simonon, 'The Good, The Bad & The Queen'
10 Lovefoxxx, CSS
9 Thom Yorke, Radiohead
8 Gerard Way, My Chemical Romance
7 Kate Jackson, The Long Blondes
6 Kieren Webster, The View
5 Karen O, Yeah Yeah Yeahs
4 Jarvis Cocker
3 Lily Allen
2 Faris Rotter, The Horrors
1 Beth Ditto, The Gossip
Source: nme.com